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Trailer for Guy Maddin, Evan Johnson, and Galen Johnson’s ten-minute ACCIDENCE (0’42”) #Berlinale

— The Daily (@CriterionDaily) February 12, 2018

#Berlinale Diary 1: Wes Anderson’s #IsleOfDogs, Josephine Decker’s MADELINE’S MADELINE, and Guy Maddin and Evan and Galen Johnson’s THE GREEN FOG and ACCIDENCE:

— The Daily (@CriterionDaily) February 15, 2018

Was the knowledge possessed by both of each of these languages, the
extinct and the revived, theoretical or practical?

Theoretical, being confined to certain grammatical rules of accidence

— Ulysses Reader (@UlyssesReader) February 18, 2018

Had a lot of fun at Guy Maddin’s tableaux short Accidence and 60-min San Fran archive supercut The Green Fog; the latter a flick that really makes you think about the construction of image, gesture, kitsch and Michael Douglas’s butt. First proper onscreen lols of #Berlinale.

— Ian Mantgani (@mant_a_tangi) February 20, 2018

But guess what?! My favourite two films in Berlin are by Guy Maddin. ACCIDENCE is an Andreas Gursky picture come to life; THE GREEN FOG is San Francisco Plays Itself, spoofs itself, and kills itself, as a blissful series of interactive .gifs. Over the moon with it.

— Tim Robey (@trim_obey) February 19, 2018

Day 5 at the #Berlinale - oh boy. Lav Diaz’s “rock opera” SEASON OF THE DEVIL; a healthy break to recuperate, probably to involve a stiff drink or two; and then Maddin, Johnson & Johnson’s double swirl of cinema, ACCIDENCE & THE GREEN FOG in IMAX.

— Alex Fuller (@agfuller100) February 20, 2018